Leo XIV He already has a papal portrait, the only way we should know what the previous residents of the throne San Pedro were. And these images allowed potatoes to be introduced into our lives. Matteo Mancini, director of the UCM art history department, indicates that “this The beginning in the middle of the fifteenth century with Nicholas V “Field
Famous artists like Rafael or Tisano, they drew themIt is always the same: “It doesn’t seem to look at the viewer, and the van is thoughtful and in a magnificent atmosphere,” says Rafael Japan, professor of art history and CDL Madrid.
Portrait Hulio II in the 16th century He noted a trend with the Papal throne as an element of the identifier with clothes. ” Rafael showed us the human dad with a sick face and with elements that refer to his origin: “In the chair behind the stomachs, because it was called Della Rover, Oak and Oak“ Acidows ”, so he is there as a symbol of his family,” explains Miriam Ferrair, a professor of history of art.
There are portraits that even They reflected historical factsAs from Clementa VII, when Rome was looted. In this sense, Matteo Mancini emphasizes that the pontiff “before the robbery appears with a complex face and anxious look, while in the portrait that is made later, he sees the expired person.”
Over time, dad’s functions are changing, and their emotions are shown. Velatskes depicted the innocent X “with lame, less idealized.” However, from Leo XIII, at the beginning of the 20th century, everything changes, and the portrait is behind. It is he who is the first to star in the video. In this sense, Mancini notes that “the process that began with Huan Paul II in Francisco Through dad“
Since then, the image of the pontiff has reached us means communication, social networks or even street frescoesThe field, however, the symbolism remains. These are the details of the figure that makes them people and brings them closer to believers.
